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This lavishly illustrated book brings together for the first time a significant body of imagery devoted to the traditional culture of the African-American slave.
- Sales Rank: #3005836 in Books
- Published on: 2000-11-28
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x 7.00" w x .75" l, 1.82 pounds
- Binding: Hardcover
- 288 pages
From Booklist
Music and African American studies professors Southern and Wright previously collaborated on an annotated bibliography of African-American Traditions in Song, Sermon, Tale, and Dance, 1660s-1920 (1990). Here, they reproduce 260 genre pictures of black Americans "in their own private social world," with an emphasis on expressive culture. Their analysis blends musicology, ethnomusicology, musical iconography, and art history. Works are grouped chronologically (colonial and Federalist, antebellum, and postbellum eras) and by themes (e.g., "The African Legacy" or "The Black Preacher as an Institution"). Artists represented include familiar names like Thomas Eakins and Winslow Homer as well as now forgotten figures; all but one were white Americans or Europeans. A valuable visual supplement to more traditional histories of the period. Mary Carroll
Copyright © American Library Association. All rights reserved
Review
"The importance of this work thus extends beyond musicians to sociologists and Americanists...The work of two major figures in music history, this volume is recommended for upper-division undergraduates and above."
-Choice
"Must Read."
-Today's Books
"A valuable visual supplement to more traditional histories of the period."
-Booklist
About the Author
Eileen Southern is Professor Emerita of Music and Afro-American Studies at Harvard University. She is the author or editor of several books on African-American music, including The Music of Black Americans: A History, Readings in Black American Music, and Biographical Dictionary of Afro-American and African Musicians. She lives in Queens, NY.
Josephine Wright is Professor of Music and Black Studies at the College of Wooster in Ohio. She is coeditor (with Samuel A. Floyd, Jr.) of New Perspectives on Music: Essays in Honor of Eileen Southern, and coauthor (with Eileen Southern) of African-American Traditions in Song, Sermon, Tale, and Dance: 1600s-1920: An Annotated Bibliography. She lives in Wooster, OH.
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