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First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
- Sales Rank: #6734373 in Books
- Brand: Brand: Routledge
- Published on: 1999-12-01
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .94" w x 5.51" l, 1.25 pounds
- Binding: Hardcover
- 350 pages
- Used Book in Good Condition
Review
"Consistently scholarly, yet relatively accessible and replete with welcome insights, this collection will serve upper-division undergraduates through faculty in literature and a variety of other divisions."
-Choice
"In "Virginia Woolf and the Age of Mechanical Reproduction, Pamela Caughie wrought a fascinating collection of essays by bringing together a superb cast of Woolf scholars."
-Symploke
Most helpful customer reviews
6 of 6 people found the following review helpful.
What's It About? Woolf's Camera,Radio,LPs,Car,Mags&our PCs
By L. J. Langham
I wondered what this essay collection would be about when itarrived in the mail. Additionally, would I understand it well enoughto enjoy it? Would I finish reading it because it contained interesting, creative, original, insightful, and lucid commentary? Would I prefer to keep the book?
The answer to all of the above questions is a resounding "yes".
The ten essays, all of excellent quality and very engaging, are about Virginia Woolf and her relationship/experience with 20th century communication media and machines - the cinema,cameras and photography, gramaphones, fast cars, radios and the BBC, telescopes and Zeiss binoculars, fashion magazines, mass production and books, and also our changing connection to Woolf when we connect with her writing via a PC ; her attitude toward the mechanized production of art as well the ideas of Walter Benjamin on the same; scholarily yet accessible interpretations of Woolf's (fiction and non-fiction) and Benjamin's writings on art with aura (an orginal painting has an aura and the postcard of the painting in the museum shop does not); the literary, political, artistic, intellectual, social, and personal dialogue and debate which Woolf conducted with herself and others about the birth and proliferation of these machine(gun)s, new means of (re)production, new products; and much more.
These essays are all that one would expect from the most avant-garde critics/readers of Woolf today. Thanks to the original and detailed research of the contributors and the standards of the editor, this outstanding book is well worth one's most valuable resource: time
Leslie K. Hankins' digital alteration of Man Ray's photographs of Woolf and Benjamin (along with the other illustrations in the book) makes up for the volume being issued without a dustjacket. The binding is well done as is the front cover's illustration of a phonograph from the 1920s.
Tarry not with getting this one. It will go out-of-print quickly like most of Garland's titles.
PS. I do hope that the submitted essays which did not appear in this collection will be available soon in another Woolfian publication, or at the Woolf Conference of 2000.
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